Presented by Richard Hawkins unless otherwise noted.
This event is free and open to the public. RSVPs are not required.
See the full Fall 2025 Seminar schedule here.
Jefferey Stuker (b. 1979 Fort Collins, Colorado) lives and works in Los Angeles. Previous exhibitions include Pacific Standard Time at the Getty Museum/University of California, San Diego (2024); Atavism for the Future at Ehrlich Steinberg, Los Angeles (2023); Next Year in Monte Carlo at Ben Hunter, London; Solid Projections at Larder, Los Angeles (2023); Objects of Desire at Los Angeles County Museum of Art, Los Angeles (2022); The International Biennial of Contemporary Photography at MOMuS, Greece (2021) and Made in L.A. at the Hammer Museum, Los Angeles (2020).
Stuker’s work is included in the permanent collection of LACMA. He has written for art publications including Mousse, the White Review, Art Handler, and Effects Journal (where he also serves as a co-editor). Stuker is represented by Ehrlich Steinberg (Los Angeles).
Image credits: Courtesy of the artist.
Support for this series is generously provided by the following: Jack Shear, Brenda R. Potter, Brendan Dugan, Lisson Gallery, Beth Rudin DeWoody, Sprüth Magers, BLUM, Hannah Hoffman, Alan Hergott, and David Kordansky.
ArtCenter's Graduate Art program is based on intensive studio practice and rigorous academic coursework. The program is distinguished by its low faculty-to-student ratio that provides students with the attention and feedback they need to refine and achieve their artistic goals. Faculty and students are artists working in all genres—film, video, photography, painting, sculpture, performance and installation. A significant number of alumni have achieved national and international acclaim and often return to share their insights and expertise as visiting faculty and guest lecturers.