September 14, 2020

Fell for Everything Exhibition

12 Graduating Artists from ArtCenter’s Graduate Art Program

Online Exhibition begins: 09/18/20 at

ArtCenter DTLA launches the online premiere of Fell for Everything , the annual group exhibition for graduating artists from ArtCenter’s Graduate Art Program.


Ching Ching Cheng

Manyu Gao

Juliana Halpert

Carson Lynn

Gabriel Madan

Alex Nazari

Edgar Ramirez

Gillian Steiner

Ethan Tate

Sean T. Randolph

Darius Vondrae

Tara Walters

Organized by Los Angeles based artist Adam Stamp, the exhibition is titled after Katy Perry’s 2013 megahit, “Roar,” she sings “I stood for nothing, so I fell for everything.” This­ song from not-so-long ago becomes a battle cry for the start of a new roaring twenties; a super saccharine tune about self-affirmation and Stamp’s personal wishes for the futures of this 2020 class. As he states, “a show like this, with such different voices, can’t really stand for anything, but collectively, I felt this group really did understand what it was like to fall.” The title reflects Stamp's observation of the works in the show and the current challenging conditions of transitioning from student to artist during the pandemic:

They’ve fallen in and out of love (sometimes with each other). They’ve been tricked and some want to trick us. Camouflage is popular. Holes open and lines lead into unknown spaces. One artist builds materials only to rip them down again, while another falls into a trance-like state to paint. Role-playing game protagonists fall to their deaths only to respawn ad infinitum. Humpty Dumpty appears multiple times. Tragedies inspire, words aren’t enough, and like all times, everywhere, and with everything, failures abound.

As the students each mounted a solo thesis show, none of which could be visited in person, by anyone – no friends, no partners, no family, Stamp poses the old saying about the tree falling in the forest, “when no one is around - does it make a sound?” Fell for Everything is installed in-real-life at ArtCenter DTLA, but due to COVID-19 safety regulations, visitors will likely not be able to visit it. The restrictions beg the question: If such a promising show is only viewed online, can it still roar?


ArtCenter DTLA
114 W. 4th Street
Los Angeles, Calif. 90013

Exhibition hours:

Due to the COVID-19 pandemic, exhibitions in ArtCenter's galleries may not be available for visits by the public. Please check with the gallery before visiting. Email


Parking is available at 415 S. Main Street (left side of Main St.; entrance between Kazunori and Big Man Bakes.) Rates are $5 for the first 90 minutes. $10 maximum. A kiosk located near the garage entrance accepts both cash and card. ArtCenter DTLA does not offer validation. From the parking garage, walk down Main St. and turn left on 4th. ArtCenter DTLA is on the left side of 4th St.


ArtCenter DTLA is accessible by public transportation. The Pershing Square Subway Station is three blocks away. Metro 92, 33, 68, 733, and DASH Downtown D on Main Street and Metro 28, 40, 45, 83, and 745 on Spring Street all stop within a block of ArtCenter DTLA. Visit Metro for bus and subway maps or call 323 466-3876.


Plan your trip using LADOT or Metro bike maps. Refer to Metro Bike Share Map for kiosk near you. Free bike parking is located in the parking garage at 415 S. Main St.

About ArtCenter DTLA: As a satellite of the College, ArtCenter DTLA provides a platform for dialogue and engagement, intersecting the campus with the Los Angeles community. As an extension of the Exhibition department’s mission, ArtCenter DTLA’s programming will focus on events and exhibitions that are critically engaging from a transdisciplinary perspective. Drawing on the resources of the College and the Los Angeles art community to collaboratively build and contribute to a culture that is diverse, innovative and relevant.

About ArtCenter Exhibitions: ArtCenter Exhibitions includes the Alyce de Roulet Williamson Gallery at its north campus in Pasadena, the Peter and Merle Mullin Gallery, the Hoffmitz Milken Center for Typography Gallery and the Hutto-Patterson Exhibition Hall at its south campus in Pasadena, and ArtCenter DTLA Gallery in downtown Los Angeles. These curated spaces embody ArtCenter's institutional will to understand artistic thinking and design strategies as levers in promoting social advancement, the pursuit of humanitarian innovation and use of critical inquiry to clarify objectives and truths. Using the lens of contemporary art and design, the mission of ArtCenter Exhibitions is to ignite emotional resonance, provoke intellectual dissonance and conjure unexpected pathways of thinking.

About ArtCenter: Founded in 1930 and located in Pasadena, California, ArtCenter College of Design is a global leader in art and design education. ArtCenter offers 11 undergraduate and seven graduate degrees in a wide variety of industrial design disciplines as well as visual and applied arts. In addition to its top-ranked academic programs, the College also serves members of the Greater Los Angeles region through a highly regarded series of year-round educational programs for all ages and levels of experience. Renowned for both its ties to industry and its social impact initiatives, ArtCenter is the first design school to receive the United Nations’ Non-Governmental Organization (NGO) status. Throughout the College’s long and storied history, ArtCenter alumni have had a profound impact on popular culture, the way we live and important issues in our society.

Teri Bond
Media Relations Director
ArtCenter College of Design
626 396-2385

A photo of Carson Lynn
Carson Lynn’s “I Want” (2020), Two Channel Machinima Film, Silent, Varied Durations
Image of Manyu Gao
Manyu Gao’s “Bowl and Pool--Pool Table I” (2019), Acrylic, house paint and felt on plywood, 16 ceramic pool balls, and rugs; Size variable
Photo of Manyu Gao
Manyu Gao's “Open Refrigerator” (2019), Mini Refrigerator and foam board, Size variable
Image of Three Pigeons artwork by Sean Randolph, 2020 graduate of Graduate Art MFA program..
Sean T. Randolph’s “Three Pigeons of the Sea” (2019), Wood, house paint, aluminum foil, wire, latex, thread, paper, pins, fabric, plaster and gloss varnish; Size variable