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%E2%80%9CIn+1980%2C+I+was+this+graphic+designer+who+really+had+nothing+to+do+with+the+music+business.+I+was+also+a+teacher+at+CalArts.+I+had+short+hair.+I+was+like+an+entirely+different+person.+I+was+in+my+40s.+I+was+hired+to+do+a+mural+for+the+L.A.+Summer+Olympics%2C+which+had+to+be+360+feet+long%2C+at+the+L.A.+Coliseum.+I+came+up+with+a+man+with+a+javelin%2C+because+the+javelin+comes+from+the+beatnik+world+I+was+in%2C+from+the+idea+of+the+court+jester+with+a+staff.+It+was+interpreted+into+this+sort+of+conventional+athletic+figure.+It+took+about+two+months+to+paint%2C+and+was+done+in+sections.%E2%80%9D
Los Angeles Summer Olympics mural—1984

“In 1980, I was this graphic designer who really had nothing to do with the music business. I was also a teacher at CalArts. I had short hair. I was like an entirely different person. I was in my 40s. I was hired to do a mural for the L.A. Summer Olympics, which had to be 360 feet long, at the L.A. Coliseum. I came up with a man with a javelin, because the javelin comes from the beatnik world I was in, from the idea of the court jester with a staff. It was interpreted into this sort of conventional athletic figure. It took about two months to paint, and was done in sections.”


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