Anne Burdick
Selected Published Writing and Editing Projects
“Graduate Education: Preparing designers for jobs that don’t exist (yet)”, Adobe Think Tank, www.adobe.com/designcenter/thinktank/, forthcoming October 2007.
“An Online Drift: Five Eye Commentators take a stroll along the highways and strip malls of contemporary cyberspace,” Eye Magazine, No. 64, Vol. 16, Summer 2007, pp. 60-69
Writer, “newecologyofthings.net/program,” Designer, The New Ecology of Things, Media Design Program, Art Center College of Design, 2007.
“Notes on the Design,” in the Digital Edition of Die Fackel, part of the Austrian Academy Corpus, www.aac.ac.at/fackel, January 1, 2007
“DesignWriting,” in Design Research, Brenda Laurel, ed., MIT Press, 2003
“Tufte: The Brand Extension,” in Eye Magazine, No. 48, Vol. 12, Summer 2003, p. 79
“Designer’s Notes,” Writing Machines by N. Katherine Hayles, Peter Lunenfeld, ed., Mediawork Pamphlet Series, MIT Press, 2002
“Graphic Design: Constructing Identities and Mapping Interactions,” Fackel Wörterbuch: Redensarten, Werner Welzig, ed., Austrian Academy of Sciences, 2000
“Ways of Telling, or, the plot thickens, fragments, reconfigures, branches, multiplies...,” in New Media New Narratives, American Center for Design, 2000, unpaginated
Co-editor, Creative Director, New Media, New Narratives, American Center for Design, 2000
Selected Speaking Engagements
Keynote/Featured Lectures
2007 “What Matters,” Otis College of Design and the Output Foundation
2006 “Designing: A Research Practice,” School of Design, North Carolina State University
2006 “Designing: A Research Practice,” California College of Art, San Francisco
2004 “Bookish: Tools and Spaces for Reading and Writing,” AIGA 50 Books/50 Covers at Museum of Contemporary Art, Los Angeles
2000 “Heavy Graphic Design,” Royal Melbourne Institute of Technology: Melbourne, Australia
2000 “Fluid Fields: Literature and Graphic Design,” Typo 2000: Berlin, Germany
1997 “Writing and Design,” Signs of Trouble, International Positions in Graphic Design, Vienna
1995 “Who the Hell is Anne Burdick?” Keynote Speaker, Designer as Author: Voices and Visions Exhibition, Northern Kentucky University
Panels
2007 “The Interface as Reading and Writing Tool,” Toward a Semantic Literary Web, Electronic Techtonics: Thinking at the Interface, 1st International HASTAC Conference (Humanities, Arts, and Sciences Advanced Collaboratory), Duke University, Durham
2007 “How is Curriculum Anticipating Emerging Practices?” Schools of Thoughts 3, AIGA Design Education Conference, Los Angeles
2007 “Composite Reading: Text and/as Image,” From the Book as History to ‘The Book is History’ Conference, HumaniTech at UC Irvine
2005 4S: Society for the Social Study of Science Annual Conference “Information Visualization and Media Design,” New Media Studies Meets STS Panel
2005 AIGA Education Conference: Schools of Thoughts 2
2003 Form + Function, Chapman College of Art Gallery
2002 AIGA Education Conference: Schools of Thoughts 1
Norman Klein
Author, The History of Forgetting: Los Angeles and the Erasure of Memory (Verso Publishers, 1997)
Author, From the Vatican to Vegas: A History of Special Effects, (New Press, 2004)
Author, Bleeding Through: Layers of Los Angeles, Book + DVD-ROM (Hatje Cantz Publishers, 2003)
Peter Lunenfeld
Selected Publications: Books
The War Between Downloading and Uploading: How the Computer Became Our Culture Machine (MIT Press, forthcoming).
USER: InfoTechnoDemo (MIT Press, 2005), visuals by Mieke Gerritzen.
Snap to Grid: A User’s Guide to Digital Arts, Media, and Cultures (MIT Press, 2000).
Editorial Director, Mediawork Pamphlet Series & Web Site (MIT Press, 2001-). The Mediawork project has won awards for writing (the Susan K. Langer Award for Writing Machines), design (official selection for the California Design Biennial and the Cooper-Hewitt Design Triennial) and interactive design (an I.D. Magazine medal for WMWS):
Shaping Things (2005) by Bruce Sterling, designed by Lorraine Wild
Rhythm Science (2004) by Paul D. Miller aka Dj Spooky that Subliminal Kid, designed by COMA Amsterdam/New York.
Writing Machines (2002), by N. Katherine Hayles, designed by Anne Burdick.
Utopian Entrepreneur (2001) by Brenda Laurel, designed by Denise Gonzales Crisp.
Selected Publications: Essays & Articles
“Ten Foot, Four,” in Fiona Candlin and Raiford Guins, eds., The Object Reader (London and New York: Routledge, forthcoming).
“Style’s Cruelty,” in Mieke Gerritzen, ed., Style First (Lausanne: mudac [Musée de Design et d’Arts Appliqués Contemporains] and Basil: Berkhaüser Verlag, 2007). Translated into German and French.
“Bespoke Futures: Media Design and the Future of the Future,” Think Tank: Adobe Design Center, 2007.
http://www.adobe.com/designcenter/thinktank/lunenfeld.html. Translated into 14 languages.
“Dispatches from the Front: Battling for Meaning in the War between Downloading and Uploading,” Re:Public: Re:Imagining Democracy on-line journal. 2007. Translated into Greek:
“Pour une pragmatique des flux," a translation of “History as Remix: How the Computer Became a Culture Machine,” Rue Descartes no. 55: Philosophies entoilées (Février, 2007).
“The God Scan,” in Caroline A. Jones, ed., Sensorium: Embodied Experience, Technology, and Contemporary Art (Cambridge, MA: List Visual Art Center and MIT Press, 2006)
“Web Design’s Long First Decade: A Micro-Meta-History,” Afterimage v. 33, n. 5 (March/April 2006). Italian translation forthcoming.
“Power & Play,” in Catharine Fishel, ed., 401 Design Meditations: Wisdom, Insights, and Intriguing Thoughts from 150 Leading Designers (Beberly, MA, 2005).
“Preface: The Design Cluster,” in Brenda Laurel, ed., Design Research (Cambridge: MIT Press, 2004).
“New Media Design,” New Media & Society Special Fifth Anniversary Issue, v. 6, n. 1 (Spring 2004).
“The Perfect Machine: Hollis Frampton, Magellan and the Promise of Digital Media,” in Reception Studies in Film, Television and Digital Culture, ed. Jan Olsson (London: John Libbey, 2003).
“Space Invaders: Thoughts on Technology and the Production of Culture,” in Anna Everett and John Caldwell, eds., New Media: Theories and Practices of Digitextuality (New York: Routledge, 2003).
“The Myths of Interactive Cinema,” in Dan Harries, ed. The New Media Book (London: British Film Institute, 2002). Reprinted in Marie-Laure Ryan, ed., Narrative Across Media (Lincoln: University of Nebraska Press, 2004).
“Moiré Eels” catalogue essay for ChanShatz at Lemon Sky (Los Angeles: 2002)
“Five Probes,” in Mieke Gerritzen and Geert Lovink, eds., Mobile Minded (Amsterdam: Bis Publishers, 2000).
“Untitled (Essay for John Morris)” catalogue for Works on Paper, Inc. (Los Angeles: 2001)
“Media-based Art at the Williamson Gallery,” Dot (Spring/Summer 2001)
“Alien Aesthetics: Politics, Theory & Technology,” in Erkki Huhtamo, ed., Alien Intelligence (Helsinki: Kiasma Museum of Contemporary Art, 2000).
“Cosmopolitan Philtre,” in Mitchell Kane, ed., Tt: Plan (Northbrook, IL: Hirsch Foundation, 2000).
“Four Probes,” in Mieke Gerritzen and Geert Lovink, eds., Everyone Is a Designer! Manifest for the Design Economy (Amsterdam: Bis Publishers, 2000).
“Hyperaesthetics: Theorizing in Real Time about Digital Cultures,” in Thomas Carmichael and Alison Lee, eds., Postmodern Life: A Critical Guide to the Contemporary (Northern Illinois University Press, 2000).
Selected Publications: Columns & Reviews
“User” Column, 1998-2002: “Anthropomorphometric,” artext 76; “Figure/Ground” artext 75; “Extrusion Vertigo” artext 74; “Growing Up Pulp”artext 73; Urine Nation” artext 72; “25/8” artext 71; “Visual Intellectuals” artext 70; “For Ever” artext 69; “Game Boy” artext 68; “Cosmopolitan Media” artext 67; “Top 10,” artext 66; “TEOTWAWKI,” artext 65; “Solitude Enhancement Machines,” artext 64; “Permanent Present,” artext 63.
Guest editor, Special Issue, “Art/Tech,” art/text 58 (August–October, 1997).
Editor, “The N E double U Issue: Arts, Media, Technologies,” Frame-Work v. 6, issue 2 (Summer, 1993).
“Welcome to Web 2.0: David Weinberger’s Everything Is Miscellaneous: The Power of the New Digital Disorder,” Los Angeles Times Sunday Book Review, June 17, 2006.
“Upward Mobility in a Laptop,” Los Angeles Times Opinion Section
October 24, 2006. Syndicated and also run by the Cincinnati Post, the South Florida Sun Sentinel, Dubai’s Gulf News, and The China Post, among other media outlets. Translated into Portuguese as “Upload, download. De que lado você está?” by Serpro.
“The Order of Things” a review of Broken Screen: Expanding the Image, Breaking the Narrative: 26 Conversations With Doug Aitken, Los Angeles Times Sunday Book Review, April 16, 2006.
“Babes in Toyland: A Review of Mark Pesce’s The Playful World: How Technology Is Transforming Our Imagination,” Wired 8.10 (October, 2000)
“The Scottish Show,” art/text 70 (August-October, 2000)
“Curating Dinner,” X-Tra v.3, n. 2 (Spring 2000) ) [co-author, Susan Kandel].
Selected Publications: Interviews & Jouranalistic Coverage
“Critic as Curator” interview by Roy Christopher, Follow for Now: Interviews with Friends and Heroes (Seattle: Well-Red Bear, 2007).
“Ubiquitous Computing and the Vertigo of the Contemporary,” interview by Madelyne Aktypi, in Invisibile, ed. Emanuele Quinz (Sienna: Gli Ori / Pallazo delle Papesse Centro Arte Contemporanea, 2005).
“Enemy of Nostalgia, Victim of the Present,” interview by Geert Lovink, Uncanny Networks: Dialogues with the Virtual Intelligentsia (Cambridge, MA: MIT Press, 2003)
“Net Gains: Roundtable on Digital Art,” coordinated by Saul Anton, Artforum v. 39 n. 7 (March 2001)
“Museum Europe: Geert Lovink and Peter Lunenfeld talk about Continents and History,” April 3, 2000
Daniel Hernandez “In the Classroom: Bus Tour Peels Away L.A.'s Prevailing Myths” Los Angeles Times, September 15, 2004
Cited or quoted in the New York Times, the Los Angeles Times, the San Francisco Chronicle, the LA Weekly, Artforum, Dwell, the Times of India, the New York Review of Books and Wired.
Selected Talks & Presentations
“New Modes, New Meanings,” Inaugural iMAP/Adobe Panel, USC Interactive Media Arts and Practice Program, 2007
“The Book, the Brand, and the Box,” UCI Design Alliance, 2007
“3x3: Writing About Design” AIGA/Art Center College of Design, 2007
“Bespoke Futures: The Future of the Future,” Main Stage Talk, AIGA Schools of Thoughts 3, Pasadena, 2007.
“Forgetting as a Productive Activity,” Designing for Forgetting and Exclusion, National Science Foundation Workshop, UCLA GSEIS, 2007.
“The Secret War Between Downloading and Uploading,” Convergence Lecture Series, UCLA School of Film, Television, and Digital Media, 2007.
“Design as Paradigm,” Text & Image: From Book History to the Book is History Conference, UC Irvine, 2007.
Lamar Dodd Visiting Scholar, School of the Arts, University of Georgia, 2006
Conceptual Studies Colloquium, Peck School of the Arts and the Department of Film, University of Wisconsin, Milwaukee, 2006.
“Proof of Concept: The Mediawork Project,” Third Annual Seminar in Experimental Critical Theory, University of California Humanities Research Institute, Irvine, 2006.
“Documenting the Future in Advance,” Stifo@Sandberg , Amsterdam, 2005.
“The Mediawork Project,” Piet Zwart Institute, Rotterdam, 2005.
“Text/Image/Interaction,” Working Group on Alternate Modes of Knowledge Dissemination, CUIS, Paris, 2005.
“The Long First Decade of Webdesign,” The History of Web Design, Institute for Network Cultures, Steadlick Museum, Amsterdam, 2005.
“Bespoke Futures: Media Design and the Vision Deficit,” Oxford Internet Institute, Oxford University, 2005
“Jane Jacobs, Interface Expert,” Street Talk: Urban Computing Conference, Intel Research Laboratory, Berkeley, 2004
“Site(ing) Yves Klein,” a panel discussion in conjunction with Yves Klein: Air Architecture, MAK Center, Los Angeles, 2004.
Aspen Design Conference, Los Angeles Satellite, 2004
“The Point of It All,” Interaction Institute Ivrea, Italy, 2003
“Digital Culture Group,” USC Annenberg Center, 2003
“Colloquium,” MIT Media Lab, Cambridge, MA, 2003
“Public Desires & Commercial Spaces,” a panel discussion sponsored by the Fondazione Prada at the Prada New York Epicenter, 2003.
“New Modes, New Models,” Presentation for the USC/Getty Arts Journalism Fellows, 2003
“Trendy Art, Trendy Science,” Quintessence: The Clumpy Matter of Art, Math and Science Visualization, conference at the Banff New Media Institute, Canada, 2002.
“The Book & the Network,” Integrated Media Program, California Institute of the Arts, 2002.
“Cadre Invitational,” San Jose State University, 2002.
“Interfacing Knowledge: New Paradigms in Computing in the Humanities, the
Arts and the Social Sciences,” UC Santa Barbara, 2002.
Deans Lecture, University of North Carolina School of the Arts, 2002.
“Soft Theory: A Dialogue between Peter Lunenfeld and Lev Manovich,” Streaming Media Conference, American Film Institute, 2001.
“Visual Intellectualism,” UCLA Department of Design | Media Arts, 2001.
“When Things Think,” Razorfish Science Summit, Tarrytown, NY, 2000.
Dean’s Lecture, Yale University School of Art and Architecture, 2000.
Authors @ MIT, Cambridge, MA, 2000.
“The Digital Object,” The American Museum of the Moving Image, New York, 2000.
“Magical Naming,” Miltos Manetas and Yvonne Force, ?WORD Presentation, Gagosian Gallery, New York, 2000.
“Permanent Present,” Departmental Lecture, UCLA Film & Television, 2000.
LA Forum for Architecture and Urban Design, MAK Center for Art and Architecture, 2000.
“Ways of Seeing, Modes of Doing,” Lecture, UCSD Art & Art History, 2000.
“CRASH - net art 2000,” Symposium at UC Berkeley, 2000.
Conferences and Panels Chaired
Coordinator, “Up Next 2007: The Long Zoom: Media Design Now,” ACCD, Pasadena, 2007.
Conference Chair, “Alternate Modes of Knowledge Dissemination,” CUIS, Paris, 2005.
Panel Chair, “Data, Design, And Content Streams,” Streaming Media conference, American Film Institute, 2001.
Philip Van Allen
The New Ecology of Things publication. 2007
Awarded Art Center Faculty Enrichment Grant 2007
Maker Faire 2007 - Introduced N.E.T. Lab Connect, and demoed re.moto, a wireless sensor system with Moto Development
UCSD 2007 - Talk for Cal-IT 2 on N.E.T. Lab Connect, a tool for designers to make physical computing projects without programming
Coordinator, Up Next 2005: ACCD, Pasadena, 2005
Sound and Interaction Designer, Corporate Delicti Group Show, Nucleus Gallery, 2005
Author, Thinking About Interaction Design for Online News Delivery, USC Annenberg Online Journalism Review (2004)
Author, Productive Interaction research paper presented to Southern California Digital Culture Group, hosted at the Annenberg Center for Communication, University of Southern California. (2004)
Author, Moderator, "Designing the Future" panel & position paper at DIS 2004, and ACM Conference proceedings
Invision Award, Best Interactive Magazine Design, Launch CD-ROM Magazine
Panelist, DIgital World, 1994, Interactive Music Discussion
Presentor, Audio Engineering Society 1992, "UMix" - a consumer remix project
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